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The heart of this ambitious and energetic collection is the conscientious and trusted mind of a giving and loving Black artist who in his own way understands history, psychology, economics, politics, and, most of all, the unique power of language in his application of “chord inversions” in the use of serving the urgent needs of Black lives. As a poet and empirical scientist who dances with words, ideas, real life, practical clarifications, and humor, Gilyard challenges his readers to act.

Creating a storyteller's circle where women share their joy, pain, and experience, the poems in this collection are lyrical vignettes, in which women sing familiar songs of love, solidarity, and sisterhood.

Ten literary experts on the work of Gwendolyn Brooks unite in this collection to provide in-depth analysis on ""Maud Martha."" Through various essays, this volume explores socio-economic implications, the portrayal of the Black family and the Black woman, the contemporary culture in Chicago's Bronzeville, and the literary skills of Brooks.

An insightful analysis of key speeches by the late Texas congresswoman Barbara Jordan, this book also summarizes the events that shaped her life and views on public policy. At the center of the discussion are two of Jordan's most famous speeches: her""""""Statement on Impeachment,"" made before the U.S. House Judiciary Committee in July of 1974 during the Nixon impeachment hearings; and her historic Democratic National Convention keynote address, delivered at Madison Square Garden in July of 1976. The book includes an audio CD containing both speeches, and the book's appendix documents Jordan's sudden rise to national attention with excerpts from the countless letters she received from her constituents in the late 1970s.

This timely work propels our understanding of African American men and women beyond the crossroads. Dr. Aldridge's insight and vision place Black male-female relationships in a liberating framework from which Blacks can initiate the crucial tasks of reclaiming ourselves, restoring our traditions, and reconstructing the African world.

Featuring a wide assortment of poetry, fiction, and creative nonfiction, this powerful volume confronts the existence of the HIV/AIDS epidemic within the Black Diaspora. Defining a cultural dialogue that will be prevalent well into the 21st century, these writings celebrate life and the living by humanizing the effects of HIV and giving powerful voices to the affected and afflicted. The writings, presented in four major sections, speak out about the hard-hitting truths that surround HIV; the forms of abuse, such as incest and rape, which cast HIV into the lives of girls and women; the issues of grief and loss; and the range of reactions, from acceptance to denial, activism, and the search for justice. The writers featured include Dennis Brutus, Tony Medina, Randi Triant, Truth Thomas, Duriel Harris, Frank X. Walker, Arisa White, Tara Betts, and Lamont B. Steptoe.

The poems in this collection address the cultural and spiritual needs of Black people. In Dawnsong! Toure successfully develops a heroic poetry that creates its own artistic matrix. In these poems Toure takes the reader back to ancient Egypt and, at the same time, demonstrates the relevance of Egyptian history and, at the same time, demonstrates the relevance of Egyptian history and mythology to the lives of contemporary Africans on the continent and in the diaspora.

From the blue ribbon group of the American Friends Service Committee's 1990 National Commission on Crime and Justice, this report addresses the problems associated with incarceration.

Black Panther earns three Oscars. Since its inception Marvel Studios’ Black Panther has provoked and stoked a wide range of interest, and now that the blockbuster film is the recipient of three Oscars the film’s acclaim extends beyond the box office. No, it didn’t get the top prize, but it was a barrier breaker as Ruth Carter was the first black woman to ever win in the Costume Design category; and another first for a black artist when Hannah Beachler took the trophy, which she shared with Set Decorator Jay Hart, in Production Design. Additional spice arrived when Ludwig Goransson earned an Oscar for the Best Score in a Motion Picture. These awards and other nominations for Black Panther augurs well for populist cinema that is traditionally scorned when it comes to taking home the coveted awards, particularly an Oscar, which is Marvel’s first. It’s a good bet the honors to Black Panther will not only boost the appreciation for populist cinema, it should also enhance the appeal of a number of products and projects such as Black Panther: A Paradigm Shift or Not? the forthcoming anthology at Third World Press, edited by Haki Madhubuti and Herb Boyd. “All of the celebration and awards for the film is nothing to thumb your nose at and we at Third World Press extend all our good wishes and hope we can do as well with our publication,” said Madhubuti, the press’s publisher and founder. The anthology, which includes more than forty writers, film critics, scholars, and activists, has a timely appearance and should be able to reap some of the renewed media attention the film has sparked. Among the contributors are Nicole Mitchell Gantt, Jelani Cobb, Brent Staples, Abdul Alkalimat, Bobby Seale, Robyn Spencer, Diane Turner, Greg Tate, Maulana Karenga, Marita Golden, and Molefi Keta Asante, et al. As may be discerned from the contributors the anthology is a compilation of mixed views and opinions—with both praise and a critique of the film. “The film has aroused a variety of conclusions, a wellspring of differences that we felt compelled to give them a forum,” said Boyd. “Like the film, the views expressed in the book are often very provocative.”

One of the most important moments in African American history comes alive in this account of Rosa Parks' legendary stand against racial segregation in 1955. Presented with eye-catching illustrations and written in enjoyable, metered rhyme, the st

Celebrating a career that spans four decades, Eugene B. Redmond’s collected work—Arkansippi Memwars—triumphs. An award-winning poet, playwright and educator, Redmond represents through his body of work the veracity and audacity of the Black Arts Movement, the traditions of the Yoruba, and the complex history of the Black American. The poetry of Redmond moves to the cadence of drums stripped from his ancestors and reclaimed by the burgeoning Hip-Hop movement of the 1970s. Fearless, sharp, and satirically masterful are but a few words to describe the excellence of Eugene Redmond and his poetry.

On Location is a Kinetic and brilliant encounter with poetic spaces suffused by Black music, sports, and the political and cultural witness of our day - Joanne V. Gabbin, PhD

Rare Black Books Bulletin from 1993. Black Studies, African-Centered Studies, Afrocentricity: The Ongoing Debate: Vivian Gordon, Molefi Asante, Marcia Sutherland, Joyce Ann Joyce, Bakari Kitwana, Robert L. Perry. New Poetry: Amiri Baraka, Keorapetse Kgositsile, Doughtry "Doc" Long, Sterling Plumpp.

For young teens, the nineteen short stories in ""The Sweetest Berry On The Bush"" are simple, pithy, narrative adages crafted for ""telling"" as well as reading.

Urban issues and creative African American leadership are addressed in this compendium of art, quotations, and critical essays. As the media and the internet continue to change the face of American culture, the tradition of political tomes and textbooks as primary information sources is quickly becoming outmoded. The solution utilized here is geared toward bringing plain and simple truths to a new generation of readers who seek useful information--striking and immediate--regarding politics, race, affirmative action, justice, and gender.

""Welcome to the 21st Century"" bids the opening line of this literary ""multimedia"" experience, brought to us by three leading Black author-activists of the post-Civil Rights Movement generation. This collection of more than 300 poems, essays, paintings, photos, and mixed media representations features myriad voices of the generation bridging the gap between the children of the Civil Rights Movement and those of the present hip hop movement.

Rise of the Phoenix ""is a collection of personal narratives that articulate the political, social, religious, and cultural experiences of many who participated in Chicago's black struggle for self-determination, self-reliance, and equality during the civil rights and Black Power movements. Contributors include Timuel Black, Carol Adams, John R. Porter, and Ellis Cose with a preface by Julieanna Richardson, director of The HistoryMakers.

These essays give the reader clear insight into the thinking of a Black educator and intellectual. The book offers a trenchant analysis of the writings and philosophy of some of the prominent writers and thinkers of African descent with particular emphasis upon those who conform to the Black nationalist thinking.

This book is a critical review of the highly explosive and widely discussed musical art form called gangsta rap. Kitwana examines the ways Black culture, male-female relationships, sexism, white supremacy (racism), and gun violence converge in this controversial music form.

Lays out a simplified step by step guide for parents to use, beginning from before their children are born, to plan the steps they will take to prepare African American boys throughout their developmental years all the way to manhood.

As HIV continues to change life on this planet, encouraging tough conversations about sex, sexual orientation, healthy relationships and trust, it invigorates those young and old to challenge the status quo of silence. Editors Kelly Norman Ellis and M.L. Hunter have assembled established and emerging writers and artists from around the globe, such as American Book Award and Pew Fellowship winner Lamont B. Steptoe; renown poet and educator Tony Medina; and Emmy award-winner Kwame Dawes, for this haunting and inspiring collection of poetry, fiction and creative non-fiction that paints living portraits of HIV/AIDS.

With essays concerned with the struggle to achieve equal educational opportunity through desegregation and the struggle for equality of educational achievement, Gordon uses logical analysis to exploit the potential of the dominant system's theories (""the master's tools"") to subvert that system's efforts at intellectual marginalization and oppression of low-income people of color. Edmund W. Gordon is the Richard March Hoe Professor of Psychology and Education Emeritus and Director, Emeritus of the Institute of Urban and Minority Education, at Teachers College, Columbia University. He is also the John M. Musser Professor of Psychology Emeritus at Yale University and has been the Senior Scholar-in-Residence at the College Board. The Educational Testing Service created the Edmund W. Gordon Chair in Evaluation, Research and Policy in 2004. The following year, Columbia University named its Harlem facility the Edmund W. Gordon Campus of Teachers College. Locally he and his wife, Dr. Susan G. Gordon, are the Co-Founders of the CEJJES Institute in Pomona.

With essays concerned with the struggle to achieve equal educational opportunity through desegregation and the struggle for equality of educational achievement, Gordon uses logical analysis to exploit the potential of the dominant system's theories (""the master's tools"") to subvert that system's efforts at intellectual marginalization and oppression of low-income people of color. Edmund W. Gordon is the Richard March Hoe Professor of Psychology and Education Emeritus and Director, Emeritus of the Institute of Urban and Minority Education, at Teachers College, Columbia University. He is also the John M. Musser Professor of Psychology Emeritus at Yale University and has been the Senior Scholar-in-Residence at the College Board. The Educational Testing Service created the Edmund W. Gordon Chair in Evaluation, Research and Policy in 2004. The following year, Columbia University named its Harlem facility the Edmund W. Gordon Campus of Teachers College. Locally he and his wife, Dr. Susan G. Gordon, are the Co-Founders of the CEJJES Institute in Pomona.

[Editor's note: The following is a review of "No One Can Be at Peace Unless They Have Freedom," a collection of essays, poems and other works by Michael Simanga published by the Third World Press Foundation. Simanga is a lecturer in African-American studies at Georgia State University in Atlanta and the author or co-editor of previous titles on subjects including the Congress of African People, Amiri Baraka, and Barack Obama.]

This valuable book, with contributors who are both practitioners and theoreticians, arrives with seriousness, containing essays and interviews of men and women with workable answers which have been refined over the years as a result of decades of grassroots, governmental, corporate, university, NGO, and other real-world experiences and confrontations. I use the word confrontations advisedly, Buzz, Alice and their son David have long and unblemished histories of working with all people. I have never known them to shy away from progressive struggles and to always be intimately involved with the burning and drowning issues of our planet. -From Foreword by Haki R. Madhubuti