A Poster Sries Collection of 10 (24" x 36') Posters. Single posters, not sold individually

Christine Houston wrote Two Twenty Seven, a play about her childhood growing up at

In Black Hollywood Unchained, Ishmael Reed gathers an impressive group of scholars, critics, intellectuals, and artist to examine and respond to the contemporary portrayals of Blacks in films. Using the 2012 release of the film Django Unchained as the focal point of much of the discussion, these essays and reviews provide a critical perspective on the challenges facing filmmakers and actors when confronted with issues on race and the historical portrayal of African American characters. Reed also addresses the black community's perceptiveness as discerning and responsible consumers of film, theatre, art, and music. Contributors to this collection are: Jill Nelson, Amiri Baraka, Cecil Brown, Halifu Osumare, Houston A. Baker Jr., Tony Medina, Herb Boyd, Jerry W. Ward Jr., Ruth Elizabeth Burks, Art Burton, Justin Desmangles, J. Douglas Allen-Taylor, Jack Foley, Joyce A. Joyce, C. Leigh McInnis, Heather Russell, Hariette Surovell, Kathryn Takara, and Al Young.

An anthology of short plays of some of the well known and highly respected African American playwrights. A glimpse into the early work of some very successful writers.

There has been a surfeit of books on the storied Harlem Renaissance, but Herb Boyd has given this historical era a fresh reprise. While the usual decade or more of turn of events and characters are present, Boyd's connects the period with other cultural and political developments. He shows how the Harlem Renaissance is ineluctably bound with the Garvey movement, particularly with a coterie of writers who shared their genius with Garvey's Negro World publication along with their contributions in such breakthrough books and political organs as Alain Locke's The New Negro, the Crisis, The Messenger, and Opportunity magazine.

The Art and Activism of Marion Perkins: “To see reality in a new light” edited by Julia Perkins, Michael Flug and David Lusenhof preserves the art of Marion Perkins (1908-1961), a self-taught sculpture who became one of the most important visual artists in the Chicago Renaissance. Now fifty years after his death, Perkins work has inspired a new audience of artists, art enthusiast and art historians to study the rich cultural history of Chicago’s black artists and writers. This book includes commentary, photography and documents from the 2009 year-long exhibit held at the Chicago Public Library’s Vivian G. Harsh Research Collection of Afro-American History and Literature. Third World Press was pleased to partner with the Harsh Society on the production of this book, which will serve as the official archival record of the exhibit.On preserving the art and legacy of Marion Perkins“Through his art, Marion Perkins imparted social and political commentary on the injustices and challenges faced by African Americans during the 1930s, 40s, and 50s. This catalogue is a tribute to the man and the exhibition “‘to see reality in a new light’:the Art & Activism of Marion Perkins,” which marked the first comprehensive survey of his legacy and contribution to the landscape of American art.” —Julia Perkins