In Black Hollywood Unchained, Ishmael Reed gathers an impressive group of scholars, critics, intellectuals, and artist to examine and respond to the contemporary portrayals of Blacks in films. Using the 2012 release of the film Django Unchained as the focal point of much of the discussion, these essays and reviews provide a critical perspective on the challenges facing filmmakers and actors when confronted with issues on race and the historical portrayal of African American characters. Reed also addresses the black community's perceptiveness as discerning and responsible consumers of film, theatre, art, and music. Contributors to this collection are: Jill Nelson, Amiri Baraka, Cecil Brown, Halifu Osumare, Houston A. Baker Jr., Tony Medina, Herb Boyd, Jerry W. Ward Jr., Ruth Elizabeth Burks, Art Burton, Justin Desmangles, J. Douglas Allen-Taylor, Jack Foley, Joyce A. Joyce, C. Leigh McInnis, Heather Russell, Hariette Surovell, Kathryn Takara, and Al Young.

Christine Houston wrote Two Twenty Seven, a play about her childhood growing up at

A Poster Sries Collection of 10 (24" x 36') Posters. Single posters, not sold individually

This play is about the parents in South Carolina who risked their lives to file the first legal challenge to segregation in public schools. Their case led to Brown v. Board of Education and the historic 1954 Supreme Court decision outlawing segregation. The book includes biographical information on Ossie Davis; photographs; accounts of the civil rights struggle; and essays, based on the philosophy Aesthetic Realism, which explain the cause of and answer to racism.

An anthology of short plays of some of the well known and highly respected African American playwrights. A glimpse into the early work of some very successful writers.

There has been a surfeit of books on the storied Harlem Renaissance, but Herb Boyd has given this historical era a fresh reprise. While the usual decade or more of turn of events and characters are present, Boyd's connects the period with other cultural and political developments. He shows how the Harlem Renaissance is ineluctably bound with the Garvey movement, particularly with a coterie of writers who shared their genius with Garvey's Negro World publication along with their contributions in such breakthrough books and political organs as Alain Locke's The New Negro, the Crisis, The Messenger, and Opportunity magazine.