Herb Boyd

Black Panther earns three Oscars. Since its inception Marvel Studios’ Black Panther has provoked and stoked a wide range of interest, and now that the blockbuster film is the recipient of three Oscars the film’s acclaim extends beyond the box office. No, it didn’t get the top prize, but it was a barrier breaker as Ruth Carter was the first black woman to ever win in the Costume Design category; and another first for a black artist when Hannah Beachler took the trophy, which she shared with Set Decorator Jay Hart, in Production Design. Additional spice arrived when Ludwig Goransson earned an Oscar for the Best Score in a Motion Picture. These awards and other nominations for Black Panther augurs well for populist cinema that is traditionally scorned when it comes to taking home the coveted awards, particularly an Oscar, which is Marvel’s first. It’s a good bet the honors to Black Panther will not only boost the appreciation for populist cinema, it should also enhance the appeal of a number of products and projects such as Black Panther: A Paradigm Shift or Not? the forthcoming anthology at Third World Press, edited by Haki Madhubuti and Herb Boyd. “All of the celebration and awards for the film is nothing to thumb your nose at and we at Third World Press extend all our good wishes and hope we can do as well with our publication,” said Madhubuti, the press’s publisher and founder. The anthology, which includes more than forty writers, film critics, scholars, and activists, has a timely appearance and should be able to reap some of the renewed media attention the film has sparked. Among the contributors are Nicole Mitchell Gantt, Jelani Cobb, Brent Staples, Abdul Alkalimat, Bobby Seale, Robyn Spencer, Diane Turner, Greg Tate, Maulana Karenga, Marita Golden, and Molefi Keta Asante, et al. As may be discerned from the contributors the anthology is a compilation of mixed views and opinions—with both praise and a critique of the film. “The film has aroused a variety of conclusions, a wellspring of differences that we felt compelled to give them a forum,” said Boyd. “Like the film, the views expressed in the book are often very provocative.”

Compiled as a response to Manning Marable's controversial new biography of Malcolm X, more than 30 noted scholars from the African American community offer their opinions on Marable's portrayal of the man whose short life still inspires speculation of what might have been.

There has been a surfeit of books on the storied Harlem Renaissance, but Herb Boyd has given this historical era a fresh reprise. While the usual decade or more of turn of events and characters are present, Boyd's connects the period with other cultural and political developments. He shows how the Harlem Renaissance is ineluctably bound with the Garvey movement, particularly with a coterie of writers who shared their genius with Garvey's Negro World publication along with their contributions in such breakthrough books and political organs as Alain Locke's The New Negro, the Crisis, The Messenger, and Opportunity magazine.

Like two intrepid leftist sleuths, Herb Boyd and Don Rojas take a deep dive into the files of the CIA, mainly inspired by Malcolm X's belief that he was under surveillance. They unearth and disclose enough evidence to confirm Malcolm's suspicion as well as to suggest, through circumstantial documentation, at least one agent stalking him. The book offers valuable insight into the history of government agencies spying on Black activists, and targeting Malcolm was just among the most notable of those in the CIA's crosshairs. Plummeting the depths of secrecy and intrigue of the CIA and Black radicals, Boyd and Rojas provide a promising blueprint and when, if ever, the agencies decide to declassify more documents on Malcolm, their work will be pivotal in the further pursuit of this ignominious truth.